Yorgos Lanthimos loves to make his audiences uncomfortable. Not to punish them; he’s not Lars von Trier. But the Greek filmmaker, who’s ascended to the Mt. Olympus of cinephile demigods in the decade since his breakout, Dogtooth (2009), does count discomfort and disorientation among the most reliable tools in his…
from The A.V. Club http://bit.ly/2qW6u6Z
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